#Grading

Color correction is not merely adjusting hues, but a ritualistic repainting of the cinematic canvas through arcane digital alchemy. It is the editor's penance to manifest the director's vague craving for 'warmer tones' via endless manipulations of color wheels and curves. Push the sliders too far and you awaken the monsters of oversaturated candy hues; neglect them and you descend into the chilly abyss of underexposure. In the end, every pixel of this Sisyphean endeavor can be erased at the whim of the next review.