impasto
Impasto is less about applying paint and more about heaping it, a crystalline monument to the artist’s ego. Its peaks and valleys lure light and shadow, offering the viewer the thrill of potential collapse and the illusion that thick paint might actually speak. Lauded in art history as the moment emotion became tangible, it is often simply over-applied makeup. In essence, it’s a hybrid of playfulness and bravado masquerading as technique.